Pierre Boulez conducts: Bartok Wooden Prince / Scriabin Le Poeme De L'Extase

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Hoy compartimos una caja editada por Sony, que reune dos de las grabaciones de Pierre Boulez que han adquirido la naturaleza de piezas de culto.
Ei gran director de orquesta nos entrega un Bartok absolutamente legitimo en los registros en que dirige a la New York Philharmonic, con el Wooden Prince y a la BBC Symphony Orchestra con la inmensa obra maestra Bartokiana: Music for Strings Percussion and Celesta (Sz 106).
En un segundo CD encontraran uds. Le Poeme De L'Extase de Alexander Scriabin con la NYPhill.



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BOULEZ conducts ZAPPA: The Perfect Stranger

Registro para la descarga gratuita del Album: BOULEZ conducts ZAPPA The Perfect Stranger and other chamber works, 1, 2, 4: Ensemble InterContemporain conducted by PIERRE BOULEZ, 3, 5, 6, 7: The Barking Pumpkin Digital Gratification Consort,1984 / 1992

Barking Pumpkin Records, 1 CD, DDD.

1) The Perfect Stranger (12:42)
2) Naval Aviation in Art? (2:43)
3) The Girl In The Magnesium Dress (3:09)
4) Dupree's Paradise (7:52)
5) Love Story (0:55)
6) Outside Now Again (4:05)
7) Jonestown (5:27)

BOULEZ conducts ZAPPA The Perfect Stranger

Bartók: Piano Concertos. ( Repost )

Registro para la descarga gratuita del Álbum Bartok Piano Concertos.

Pierre Boulez dirige los tres conciertos con tres orquestas y tres pianistas diferentes. Grabacion de 2006, Deutsche Grammophon,

1CD, -DDD-MP3 a 218 kbps-116 MB

Piano Concerto No.1, BB 91, Sz. 83
1) 1. Allegro moderato - Allegro [8:47]
2) 2. Andante [7:51]
3) Allegro - 3. Allegro molto [6:36]

Krystian Zimerman, piano

Chicago Symphony Orchestra, Pierre Boulez

Piano Concerto No.2, BB 101, Sz. 95
4) 1. Allegro [9:24]
5) 2. Adagio - Più adagio - Presto [11:26]
6) 3. Allegro molto [6:13]
Leif Ove Andsnes, piano

Berliner Philharmoniker, Pierre Boulez

Piano Concerto No.3, BB 127, Sz. 119
7) 1. Allegretto [7:33]
8) 2. Adagio religioso [11:08]
9) 3. Allegro vivace [7:05]
Hélène Grimaud, piano

London Symphony Orchestra, Pierre Boulez

Bartók: Piano Concertos-Boulez

Ravel: Piano Concertos / Miroirs-Aimard-Boulez (2010)

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El esplendido pianista frances Pierre-Laurent Aimard nos entrega los conciertos para la mano izquierda, el concierto en G, y Miroirs de Maurice Ravel. El sonido es de la Cleveland Orchestra, dirigida por Pierre Boulez, la ingenieria de produccion es de DG.

1 CD-FLAC-258.1 MB+Scans

1. Piano Concerto For The Left Hand In D - Lento - Andante - Allegro - Tempo 1 18:53
2. Piano Concerto In G - 1. Allegramente 8:30
3. Piano Concerto In G - 2. Adagio Assai 9:28
4. Piano Concerto In G - 3. Presto 4:24
5. Miroirs - 1. Noctuelles 4:53
6. Miroirs - 2. Oiseaux Tristes 4:09
7. Miroirs - 3. Une Barque Sur L'océan 7:39
8. Miroirs - 4. Alborada Del Gracioso 6:32
9. Miroirs - 5. La Vallée Des Cloches 6:09


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Boulez: Sonatine, Dérive, Dialogue de l'ombre double- Ensemble InterContemporain.

Volumen antologico de obras de Pierre Boulez, realizado en Alemania para la firma disquera apex. con participaciones solistas de Pierre-Laurent Aimard al piano, Sophie Cherrier a la flauta, y Alain Damiens en el clarinete; coros de BBC singers.

Boulez, Sonatine, Dérive...-apex .

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Pierre Boulez ~ Schoenberg · Berio · Carter · Kurtág · Xenakis (1995).

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En el esfuerzo por recuperar todas las grabaciones de Pierre Boulez, destaca la caja de ERATO que habiamos compartido en formato MP3, y que ahora presentamos en formato sin perdida.
Este Box-Set de 5 CD`s, reune grabaciones de la obra de grandes figuras de la musica del siglo XX, entre ellos, de los cinco gigantes a quienes Boulez ha dedicado parte importantisisma de su vida : Arnold Schoenberg, Luciano Berio, Elliott Carter, Gyorgy Kurtág, y Iannis Xenakis.


1.- Pelleas und Melisande, symphonic poem, Op. 5
Composed by Arnold Schoenberg
Performed by Chicago Symphony Orchestra
Conducted by Pierre Boulez

2.- Variations for Orchestra, Op. 31
Composed by Arnold Schoenberg
Performed by Chicago Symphony Orchestra
Conducted by Pierre Boulez

3.- Sinfonia, for 8 amplified voices & orchestra
Composed by Luciano Berio
Performed by Orchestre National de France
with Swingle Singers, Regis Pasquier
Conducted by Ward Swingle, Pierre Boulez

4.- Eindrücke, for orchestra
Composed by Luciano Berio
Performed by Orchestre National de France
Conducted by Pierre Boulez

5.- Oboe Concerto
Composed by Elliott Carter
with InterContemporain Ensemble
Conducted by Pierre Boulez

6.- Esprit Rude / Esprit Doux, for flute & clarinet
Composed by Elliott Carter
with InterContemporain Ensemble
Conducted by Pierre Boulez

7.- A Mirror on Which to Dwell, for soprano & chamber orchestra
Composed by Elliott Carter
with Phyllis Bryn-Julson, InterContemporain Ensemble
Conducted by Pierre Boulez

8.- Penthode, for 5 groups of 4 instruments
Composed by Elliott Carter
with InterContemporain Ensemble
Conducted by Pierre Boulez

9.- Messages of the late R. V. Troussova, 21 Poems by Rimma Dalos for soprano & chamber ensemble, Op 17
Composed by Gyorgy Kurtag
with Adrienne Csengery, Martha Fabian, InterContemporain Ensemble
Conducted by Pierre Boulez

10.- . . . agm. . ., for 16 voices & 3 instrumental groups
Composed by Sir Harrison Birtwistle
with InterContemporain Ensemble
Conducted by Pierre Boulez

11.- Modulations for 33 musicians
Composed by Gerard Grisey
with InterContemporain Ensemble
Conducted by Pierre Boulez

12.- Jalons, for 15 musicians
Composed by Iannis Xenakis
with InterContemporain Ensemble
Conducted by Pierre Boulez

13.- Antiphysis
Composed by Hugues Dufourt
with Istvan Matuz, InterContemporain Ensemble
Conducted by Pierre Boulez

14.- Funérailles (Version 1) for string sextet, double bass, and harp
Composed by Brian Ferneyhough
with InterContemporain Ensemble
Conducted by Pierre Boulez

15.- Funérailles (Version 2) for seven strings and harp
Composed by Brian Ferneyhough
with InterContemporain Ensemble
Conducted by Pierre Boulez

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Philippe Manoury - La Partition du Ciel et de l'Enfer -Pierre Boulez (1999)

Dos obras del serialista electrónico Philippe Manoury, son dirigidas por Pierre Boulez al frente del Ensemble Intercontemporain, con la participación de Sophie Cherrier a la flauta, y Hideki Nagano, Dimitri Vassilakis a los pianos. La grabación de la disquera Musidisc es de 1999, y a pesar de su relevancia, es prácticamente imposible de encontrar en tiendas. Aquí la compartimos en formato sin pérdida (Flac), en un archivo de 304 MB. .

Philippe Manoury belongs to that generation of composers who, as young musicians, delighted in the nascent possibilities of electronic music at the recently opened IRCAM in Paris. Manoury distinguishes himself from others of his generation in two ways. The first is his continuing interest in serialism, while many who frequented IRCAM followed the spectralist tradition. The other is his interest in live electronics, eschewing any kind of works for tape and instead exploring the pairing of human performers with an electronic part that could react in real-time. The two pieces here, part of his cycle "Sonus ex machina", are representative of his output. Manoury wrote "Jupiter" for flute and electronics (1987) after Laurence Beauregard, then a flautist with the Ensemble Intercontemporain, developed a flute with switches on its keys to help a computer follow along. (There's a video floating around of Beauregard demonstrating it, but sadly he died soon afterward.) This technical development let the electronic part follow the unique playing style of the live flautist. As Sophie Cherrier plays on this recording, the electronic part blossoms out of her performance in a smooth and organic fashion, with a general shimmering background to the breathiness of the flute part. "La Partition du Ciel et de l'Enfer" for flute and 2 piano soloists, ensemble and electronics (1989) is an orchestral concertante meditation on the moods of two earlier works. One one hand, there's the slow, tranquil atmosphere of "Jupiter". On the other hand, we hear the savage keyboard attacks of "Pluton" for piano (1987, the first "Sonus ex machina" work). The electronic part here has great variety and is fine listening if your stereo is up to task. I think Manoury's work is worth seeking out if you've already heard the electronic works of Pierre Boulez. Manoury's "Pluton" (available on a now deleted Ondine disc) reminded me strongly of Boulez's "Repons", while "Jupiter" and "La Partition" look ahead to Boulez's "...explosante-fixe..." and "Sur Incises" respectively. I do think, however, that Manoury's pieces tend to be mainly gimmick with little behind the concept of pairing players and electronics, so I can't rate him as highly as Boulez. Nonetheless, there is a real magic to these endeavours in live electronics. Even after 20 years, when technology has progressed on, IRCAM's early successes still impress.

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Mahler: Des Knaben Wunderhorn / Adagio from Symphony No.10-Pierre Boulez (2010)

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Con esta grabaciòn en vivo, de los lieder Des Knaben Wunderhorn y con el registro del adagio de la sinfonía no.10, Pierre Boulez cierra el ciclo de Mahler para Deustche Grammophon. Las voces son de la mezzo-soprano Magdalena Kozená y el barítono Christian Gerhaher; la orquesta The Cleveland Orchestra .
Grabado en vivo en febrero de 2010 en el Severance Hall de Cleaveland.

Pierre Boulez: There are many pieces that could be described as
"the best of Mahler". But I find the musical vocabulary
of the Adagio particularly toMard-looking. For me, it's
a summation of all Mahler had ever written. At the same
time, it places a question mark over the future, indicating
that Mahler would have continued to develop if he'd
lived a little longer.

ln whid direction would he have developed?

Pierre Boulez: That's difficult to say. There are links with early
Schoenberg, for example, especially the Gurre-Lieder,
whose moods and range of expression come very close
to parts 0f the Adagio in terms of their musical language.
But we can't argue on this basis that Mahler
would necessarily have developed in the direction of
Schoenberg. In this respect his final work remains ambiguous.

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Szymanowski: Symphony No. 3, 'Song of the Night' / Violin Concerto No. 1-Pierre Boulez (2010)

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El disco mas reciente de Pierre Boulez nos entrega dos piezas del compositor Polaco Karol Szymanowski, con el sonido de la Vienna Philharmonic Orchestra y el violín de Christian Tetzlaff.

El registro de Deutsche Grammophon incluye una conversación de Andrew Clements con Boulez en la que explica las razones de su incursión en la obra del autor Polaco.

Pierre Boulez honors singular Polish composer Karol Szymanowski by recording - live - the Violin Concerto no. 1 and the Symphony no. 3 "Song of the Night". Violin virtuoso Christian Tetzlaff and the Vienna Philharmonic are peerless participants. The two orchestral works are the high-water mark of Szymanowski's impressionism, an idiom mingling the refined sonorities of Debussy, Ravel, and late Scriabin with the impassioned Romanticism of the New German School.

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Boulez - Le Marteau Sans Maître - Sonatine / Messiaen - 7 Haïkaï

Free download. Descarga gratuita Obras de Pierre Boulez y Oliver Messiaen dirigidas por Boulez. Disco del sello Frances Adès, de Noviembre 7 1995. Este CD nunca ha circulado fuera de Francia.



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