
Mahler: Das Klagende Lied, Boulez
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Mahler: Das Klagende Lied, Boulez

Pierre Boulez: There are many pieces that could be described as
"the best of Mahler". But I find the musical vocabulary
of the Adagio particularly toMard-looking. For me, it's
a summation of all Mahler had ever written. At the same
time, it places a question mark over the future, indicating
that Mahler would have continued to develop if he'd
lived a little longer.
ln whid direction would he have developed?
Pierre Boulez: That's difficult to say. There are links with early
Schoenberg, for example, especially the Gurre-Lieder,
whose moods and range of expression come very close
to parts 0f the Adagio in terms of their musical language.
But we can't argue on this basis that Mahler
would necessarily have developed in the direction of
Schoenberg. In this respect his final work remains ambiguous.

Registro para la descarga gratuita del Álbum: Das Lied von der Erde, Los cantos de la tierra, de Gustav Mahler, dirigido por Pierre Boulez, con la Wiener Philharmoniker y las voces de Violeta Urmana (mezzo-soprano), Michael Schade (Tenor). Deutsche Grammophon , 2001), DDD.
Mahler: Das Lied von der Erde, Boulez

Registro para la descarga gratuita de la Sinfonía no.5, dirigida por Pierre Boulez con la Wiener Philharmoniker, Deutsche Grammophon, 1996
Mahler, Sinfonía no. 5, Pierre Boulez, WP
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Registro para la descarga gratuita de la Sinfonía no.5, dirigida por Pierre Boulez con la Wiener Philharmoniker, Deutsche Grammophon, 1996
Mahler, Sinfonía no. 5, Pierre Boulez, WP
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Registro para la descarga gratuita de la Sinfonía no.4 de Gustav Mahler, dirigida por Pierre Boulez, con la Cleveland Orchestra, Juliane Banse (Soprano) y William Preucil (Violin). Este disco fue grabado en 04/1998, en el Masonic Auditorim, Cleveland, Ohio. Tiene una duración de 53 Minutes 32 Secs. Apareció en publico el 3,de enero del 2000, DDD , Discos: 1, Deutsche Grammophon.
Mahler, Sinfonía no.4, Boulez, CO, DG.

Registro para la descarga gratuita de la Tercera Sinfonía de Mahler en dirección de Pierre Boulez .con la Vienna Philharmonic Orchestra, Vienna Boys' Choir, Vienna Singverein Women's Chorus y voz de Anne Sofie von Otter. Deutsche Grammophon 2003.
Mahler Sinfonía no3, Boulez, WP parte 1
Mahler Sinfonía no3, Boulez, WP parte 2

Registro para la descarga gratuita del Álbum Bartok Piano Concertos.Pierre Boulez dirige los tres conciertos con tres orquestas y tres pianistas diferentes. Grabacion de 2006, Deutsche Grammophon,
1CD, -DDD-MP3 a 218 kbps-116 MB
Piano Concerto No.1, BB 91, Sz. 83
1) 1. Allegro moderato - Allegro [8:47]
2) 2. Andante [7:51]
3) Allegro - 3. Allegro molto [6:36]
Krystian Zimerman, piano
Chicago Symphony Orchestra, Pierre Boulez
Piano Concerto No.2, BB 101, Sz. 95
4) 1. Allegro [9:24]
5) 2. Adagio - Più adagio - Presto [11:26]
6) 3. Allegro molto [6:13]
Leif Ove Andsnes, piano
Berliner Philharmoniker, Pierre Boulez
Piano Concerto No.3, BB 127, Sz. 119
7) 1. Allegretto [7:33]
8) 2. Adagio religioso [11:08]
9) 3. Allegro vivace [7:05]
Hélène Grimaud, piano
London Symphony Orchestra, Pierre Boulez
Bartók: Piano Concertos-Boulez
Volumen antologico de obras de Pierre Boulez, realizado en Alemania para la firma disquera apex. con participaciones solistas de Pierre-Laurent Aimard al piano, Sophie Cherrier a la flauta, y Alain Damiens en el clarinete; coros de BBC singers.

Pierre Boulez: There are many pieces that could be described as
"the best of Mahler". But I find the musical vocabulary
of the Adagio particularly toMard-looking. For me, it's
a summation of all Mahler had ever written. At the same
time, it places a question mark over the future, indicating
that Mahler would have continued to develop if he'd
lived a little longer.
ln whid direction would he have developed?
Pierre Boulez: That's difficult to say. There are links with early
Schoenberg, for example, especially the Gurre-Lieder,
whose moods and range of expression come very close
to parts 0f the Adagio in terms of their musical language.
But we can't argue on this basis that Mahler
would necessarily have developed in the direction of
Schoenberg. In this respect his final work remains ambiguous.


Pierre Boulez honors singular Polish composer Karol Szymanowski by recording - live - the Violin Concerto no. 1 and the Symphony no. 3 "Song of the Night". Violin virtuoso Christian Tetzlaff and the Vienna Philharmonic are peerless participants. The two orchestral works are the high-water mark of Szymanowski's impressionism, an idiom mingling the refined sonorities of Debussy, Ravel, and late Scriabin with the impassioned Romanticism of the New German School.
Free download. Descarga gratuita. 



En el marco del 2008 Sydney International Piano Competition of Australia el joven pianista Israeli Ran Dank ejecuto Notations, 12 pieces for piano de Pierre Boulez y gano el tercer lugar de la prestigiada competencia. Invitamos a escuchar a uno de los pianistas mas prometedores ejecutando las miniaturas del joven Boulez. "Notations" (1945) is a series of twelve piano miniatures written in the very early days of Boulez's career and is fact the earliest piece he has published. Initially neglected after their composition, two Notations (5 and 9) were quietly used in "Pli selon pli", and then the work was fully uncovered in 1970s, when the composer embarked on orchestrating them. While the orchestral versions--much longer and of course with a greater range of colour--are impressive, the original piano Notations are a delight as well. Each consists only of twelve measures, featuring a twelve-tone row in much the same fashion as the work of Anton Webern. In spite of certain formal commonalities, however, the pieces widely range from free (e.g. 1) to tightly rhythmic (4, 6), contemplative (3) to frenetic (2). If you like Gyorgy Ligeti's "Musica Ricercata", you'll find this quite enjoyable.1. Notations - 1. Fantasque - Modéré
Box-Set- (5 discs), Free download. 
Live Radio Broadcast, free download. Registro para la descarga gratuita de una extraña joya de la música de concierto: La única grabación disponible de una obra de Beethoven dirigida por Pierre Boulez.El registro corresponde a una trasmisión de radio de octubre de 1975, en que Boulez dirigió a la New York Philharmonic, teniendo como Solistas a: Joanna Meier, Betty Allen, Jerry Jennings, y Simon Estes.
Debe recordarse que Pierre Boulez nació el 26 de marzo de 1925, justo el mismo día en que muriera Beethoven 98 años antes.
Free download.Registro para la descarga gratuita del concierto All Schoenberg, celebrado en febrero 20 de 2009, en Salle Pleyel Paris, con la dirección de Pierre Boulez frente a la Orchestre Philharmonique de Radio France y la ejecución al piano de Mitsuko Uchida.