Registro para la descarga gratuita de la Tercera Sinfonía de Mahler en dirección de Pierre Boulez .con la Vienna Philharmonic Orchestra, Vienna Boys' Choir, Vienna Singverein Women's Chorus y voz de Anne Sofie von Otter. Deutsche Grammophon 2003.
Mahler Sinfonía no3, Boulez, WP parte 1
Mahler Sinfonía no3, Boulez, WP parte 2
Registro para la descarga gratuita de la Sinfonía no. 1 de Gustav Mahler, dirigida por Pierre Boulez frente a la Chicago Symphony Orchestra.
Este Álbum fue grabado en mayo de 1998 en el Orchestra Hall, Chicago, Illinois. Apareció el 13 de Abril de 1999, DDD , Disco 1, Deutsche Grammophon.
Registro para la descarga gratuita del Album: BOULEZ conducts ZAPPA The Perfect Stranger and other chamber works, 1, 2, 4: Ensemble InterContemporain conducted by PIERRE BOULEZ, 3, 5, 6, 7: The Barking Pumpkin Digital Gratification Consort,1984 / 1992
Barking Pumpkin Records, 1 CD, DDD.
1) The Perfect Stranger (12:42)
2) Naval Aviation in Art? (2:43)
3) The Girl In The Magnesium Dress (3:09)
4) Dupree's Paradise (7:52)
5) Love Story (0:55)
6) Outside Now Again (4:05)
7) Jonestown (5:27)
BOULEZ conducts ZAPPA The Perfect Stranger
Registro para la descarga gratuita del Álbum Bartok Piano Concertos.Pierre Boulez dirige los tres conciertos con tres orquestas y tres pianistas diferentes. Grabacion de 2006, Deutsche Grammophon,
1CD, -DDD-MP3 a 218 kbps-116 MB
Piano Concerto No.1, BB 91, Sz. 83
1) 1. Allegro moderato - Allegro [8:47]
2) 2. Andante [7:51]
3) Allegro - 3. Allegro molto [6:36]
Krystian Zimerman, piano
Chicago Symphony Orchestra, Pierre Boulez
Piano Concerto No.2, BB 101, Sz. 95
4) 1. Allegro [9:24]
5) 2. Adagio - Più adagio - Presto [11:26]
6) 3. Allegro molto [6:13]
Leif Ove Andsnes, piano
Berliner Philharmoniker, Pierre Boulez
Piano Concerto No.3, BB 127, Sz. 119
7) 1. Allegretto [7:33]
8) 2. Adagio religioso [11:08]
9) 3. Allegro vivace [7:05]
Hélène Grimaud, piano
London Symphony Orchestra, Pierre Boulez
Bartók: Piano Concertos-Boulez
Free download. Descarga gratuita.
El esplendido pianista frances Pierre-Laurent Aimard nos entrega los conciertos para la mano izquierda, el concierto en G, y Miroirs de Maurice Ravel. El sonido es de la Cleveland Orchestra, dirigida por Pierre Boulez, la ingenieria de produccion es de DG.
Volumen antologico de obras de Pierre Boulez, realizado en Alemania para la firma disquera apex. con participaciones solistas de Pierre-Laurent Aimard al piano, Sophie Cherrier a la flauta, y Alain Damiens en el clarinete; coros de BBC singers.
Philippe Manoury belongs to that generation of composers who, as young musicians, delighted in the nascent possibilities of electronic music at the recently opened IRCAM in Paris. Manoury distinguishes himself from others of his generation in two ways. The first is his continuing interest in serialism, while many who frequented IRCAM followed the spectralist tradition. The other is his interest in live electronics, eschewing any kind of works for tape and instead exploring the pairing of human performers with an electronic part that could react in real-time. The two pieces here, part of his cycle "Sonus ex machina", are representative of his output. Manoury wrote "Jupiter" for flute and electronics (1987) after Laurence Beauregard, then a flautist with the Ensemble Intercontemporain, developed a flute with switches on its keys to help a computer follow along. (There's a video floating around of Beauregard demonstrating it, but sadly he died soon afterward.) This technical development let the electronic part follow the unique playing style of the live flautist. As Sophie Cherrier plays on this recording, the electronic part blossoms out of her performance in a smooth and organic fashion, with a general shimmering background to the breathiness of the flute part. "La Partition du Ciel et de l'Enfer" for flute and 2 piano soloists, ensemble and electronics (1989) is an orchestral concertante meditation on the moods of two earlier works. One one hand, there's the slow, tranquil atmosphere of "Jupiter". On the other hand, we hear the savage keyboard attacks of "Pluton" for piano (1987, the first "Sonus ex machina" work). The electronic part here has great variety and is fine listening if your stereo is up to task. I think Manoury's work is worth seeking out if you've already heard the electronic works of Pierre Boulez. Manoury's "Pluton" (available on a now deleted Ondine disc) reminded me strongly of Boulez's "Repons", while "Jupiter" and "La Partition" look ahead to Boulez's "...explosante-fixe..." and "Sur Incises" respectively. I do think, however, that Manoury's pieces tend to be mainly gimmick with little behind the concept of pairing players and electronics, so I can't rate him as highly as Boulez. Nonetheless, there is a real magic to these endeavours in live electronics. Even after 20 years, when technology has progressed on, IRCAM's early successes still impress.
